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J.S. Bach
J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise
Samuel Ricke
10:40 Est. Play
Time
125 Measures
1,414Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
Oboe
I.		 Treble 19 0 4 9 72%
Viola. 18 0 4 7 49%
Violino
I.		 Treble 21 0 3 9 49%
Violino
II.		 Treble 19 0 4 8 49%
Violoncello. Bass 19 0 3 5 49%
Violone. Bass 19 0 3 5 49%
Corno
I.		 Treble 10 0 1 8 48%
Corno
II.		 Treble 8 0 0 8 46%
Fagotto. Bass 21 0 5 5 45%
Oboe
II.		 Treble 12 0 2 7 45%
Oboe
III.		 Treble 9 0 1 7 21%
Violino
piccolo.		 Treble 13 0 2 9 21%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio
Samuel Ricke
5:27 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 24 34 8 6 100%
Bass 22 2 10 6 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 24 34 8 6 100%
Bass 22 2 10 6 100%
Fagotto. Bass 23 0 10 6 100%
Oboe
I.		 Treble 18 0 7 10 100%
Oboe
II.		 Treble 17 0 5 5 100%
Oboe
III.		 Treble 13 0 4 5 100%
Viola. 17 0 7 7 100%
Violino
I.		 Treble 19 0 5 7 100%
Violino
II.		 Treble 16 0 6 5 100%
Violino
piccolo.		 Treble 23 0 9 9 100%
Violoncello. Bass 22 0 10 6 100%
Violone. Bass 22 2 10 6 100%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.
Samuel Ricke
2:03 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 23 7 6 99%
Bass 17 0 4 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 23 7 6 99%
Bass 17 0 4 4 100%
Continuo. Bass 17 0 4 4 100%
Violino
I.II.		 Treble 20 5 6 4 100%
Violone. Bass 17 0 4 4 100%
Tenore. 13 0 4 6 62%
 
Minuet in G Minor, from Anna Magdalena Notebook
edlemjulve
1:48 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 15 0 2 5 50%